Big Mike’s B-town: Cristian Medina, Scientist, Poet, Chess Leader
Cristian Medina, a poet, cook, IU researcher, and chess leader from Arica, Chile, has found plenty to keep him busy since moving to Bloomington in the mid-2000s. LP columnist Michael G. Glab talks to Medina about his hometown — bordered by ocean, mountains, and desert — geology and climate change, his work founding Cardboard House Press, and more in the latest Big-Mike’s B-town. Click here to read the full story.
Big Mike’s B-town: Hoagy Bix Carmichael
While Hoagy Bix Carmichael was in town for IU Theatre’s production of Stardust Road: A Hoagy Carmichael Musical Journey
, he talked with writer Michael G. Glab about growing up in Hollywood, his famous namesakes (Hoagy and Bix), and the musical that is premiering in Bloomington. They even squeezed in some talk about fly-fishing. Click here to read the full story.
Big Mike’s B-town: Darran Mosley, Misfit
Creating a community of misfits isn’t what Darran Mosley intended or expected. After growing up in a “super-rough” neighborhood in Indianapolis, then working in computer systems in Chicago, he landed in Bloomington, where he works in IT by day and in music entertainment by night. Here, Michael G. Glab profiles this karaoke host, DJ, and vocalist. Click here to read the full story.
Big Mike’s B-town: Wounded Galaxies, Where 1968 Intersects with 2018
Wounded Galaxies 1968 — a conference, festival, and symposium including art exhibits, film screenings, and music performances — intersects with Bloomington’s orbit next month. LP columnist Michael G. Glab spoke to Joan Hawkins, a founder of the group that’s organizing the event. While Wounded Galaxies looks at the tumultuous year 1968, Hawkins says the event will be more than a museum piece: “We want to confront the whole concept of revolutionary aesthetics, and ask, ‘Where do we go from here?’” Click here to read the full story.
Big Mike’s B-town: Abegunde, Writing to Heal
Dr. Maria Hamilton Abegunde has been given many names, each one representative of her own history, her family’s history, and her Yoruba cultural heritage. And, like her names, Abegunde’s work represents the personal and the historical. LP columnist Michael G. Glab talks with the poet and scholar about her work with healing and social justice. Click here to read the full story.